【新闻贴】《虚拟现实》Virtual reality（Oculus Rift）

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发表于 2017-10-12 07:27 AM |只看该作者

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发表于 2017-10-12 07:27 AM |只看该作者

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发表于 2017-10-12 07:28 AM |只看该作者

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发表于 2017-10-12 07:28 AM |只看该作者

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发表于 2017-10-12 03:56 PM |只看该作者

本帖最后由 kirassss 于 2017-10-12 06:10 PM 编辑

Summer Lesson: Chisato Shinjo second trailer
《夏日课程：新城千里》释出第 2 波宣传影片介绍基本内容与追加体验章节信息
转载 - 巴哈姆特（https://gnn.gamer.com.tw/3/153703.html）

　　BANDAI NAMCO Entertainment 制作，今（12）日正式释出的 PS4 虚拟现实角色体验游戏《夏日课程：新城千里》，现释出第 2 波宣传影片，介绍基本游戏包与追加内容等信息。

　　《夏日课程：新城千里》是《夏日课程》系列的第 3 波作品，以个性强势的名门独生女「新城千里」为主角，玩家将扮演被指名担任她家庭教师的主角，前往充满古风的宅邸，教导我行我素且不谙世事的她从计算机的使用方法到如何享受漫画与游戏等，各式各样现代社会生活的 ”常识”。

　　游戏预定于 10 月 12 日释出基本游戏包，以及 4 种追加内容：

《夏日课程：新城千里七曜的练习曲（基本游戏包）》
《夏日课程：新城千里红毯的魔术光（追加体验包）》
《夏日课程：新城千里凉风的休息时光（追加体验包）》
《夏日课程：新城千里追加场面夕阳下的青春篇（服装＆场景）》
《夏日课程：新城千里追加场面歌谣秀篇（服装＆场景）》

　　玩家也可以选择购买包含上述所有内容的豪华版或是包含完整追加内容的 DLC 组合季票。

　　「新城千里」（CV：畑中万里江）是富豪名家“新城家”的独生女，从小就天资聪颖成绩优秀，也因此在性格上比较任性。此外因为一直在家里独自学习，不太了解一般社会的常识与流行事物。为此特别聘请了庶民家教来为她介绍庶民们的娱乐与一般常识。第一眼的印象就是她那不好对付的表情，也因为你只是一个被她花钱雇来的家教，在她的认知中可以随意的使唤你。有时候还会故意使坏，让你与她一同消磨闲暇的时光。

　　和庶民 JK 宫本光不同，但从她的房间装饰风格来看就充满着上流社会有钱人家的感觉。本人的一举一动（如品尝红茶时的举动）都能看出她十分端庄的大小姐气质。虽然头脑聪明，但是十分不擅长使用电脑，教她打字也是家教的一环。

Bandai Namco has released the second trailer for Summer Lesson: Chisato Shinjo – Chichiyou no Etude, the third entry in its virtual reality communication series for PlayStation VR.

The trailer introduces the Summer Lesson: Chisato Shinjo – Chichiyou no Etude Basic Game Pack, the October 19-due additional content packs “Red Carpet Magic Hour” and “Cool Breeze Break Time,” and the November 2-due additional content packs “Extra Scene: Twilight Youth Chapter (Costume and Situation)” and “Extra Scene: Performance Chapter (Costume and Situation).”

Summer Lesson: Chisato Shinjo – Chichiyou no Etude is available today for PlayStation VR via the PlayStation Store in Japan.

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发表于 2017-10-13 06:22 PM |只看该作者

本帖最后由 kirassss 于 2017-10-13 11:01 PM 编辑

Kowloon’s Gate VR: Suzaku Japanese release date announcement trailers
《九龙风水传VR 朱雀》最新介绍视频发售日终于确定

　　PSVR游戏《九龙风水传VR 朱雀》公开了最新的宣传视频，并确定将在10月26日发售，价格3980日元+税，下载专用。另外还有同捆特别PS4主题的版本价格为4350日元+税。

　　本作是一款使用VR游玩的异世界探索冒险游戏。其中值得注目的系统就是要收集散落在场景里的“剥好的虾”，而新的特殊事件就是要通过收集剥好的虾才能开启。

Jetman has released a new set of Kowloon’s Gate VR: Suzaku trailers following the game’s Japanese release date announcement of October 26 last week.

The virtual reality experience will allow players to walk through the world of Kowloon Walled City with a feeling of increased immersion thanks to stereoscopic sound and the PlayStation VR headset.

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发表于 2017-10-14 07:20 AM |只看该作者

Stifled for PS4, PlayStation VR launches October 31

Stifled will launch for PlayStation 4 with PlayStation VR support on October 31, developer Gattai Games announced.

Here’s an overview of the game, via the PlayStation Blog:

Stifled is a VR and mic-enabled sound-based stealth thriller. The pitch black world is illuminated by the sounds you make, which allows you to see the path ahead and items you can pick up. But sound also highlights your location to the enemies who lurk in the darkness.

So that’s the premise. But what the origin of the game? For that, you’d have to rewind time to 2013 when Lurking, our student project that would eventually become Stifled, spawned.

That summer, the team and I chanced upon an animation of a blind girl finding her way around the world using sound, with the visuals reflecting the mood she was in, an animation that served as a springboard for us develop a “sound-based” game.

VR was on its way to becoming more mainstream at that time, and we thought since we were developing a sound-based game, why not find a way to integrate the widely available microphone as an input for some kind of immersion? And with those ideas in mind, we started production of Lurking.

The initial idea for Lurking revolved around the use of pitch and volume to explore your surroundings and solve puzzles. Wanting audio to take center stage, we kept our visuals to a simple black and white look, and built a few prototypes testing the mechanic of having boxes in a dark room “light up” when sounds “touched” them. After a few iterations and in a moment of genius, Bryan (Audio Director on both Lurking and Stifled) said: “This is perfect for a horror game.”

The team agreed.

With the pivot from an innocent audio exploration game to a horror game, we had to rethink our design and features. Sound was no longer just a tool, but also a method that could attract enemies. Enemies could track you through your microphone if you squeal in real life. It’s one thing to control your use of sound in game, it’s another to physically stifle yourself.

We completed and released Lurking in March of 2014 and it went on to do pretty well, bagging a bunch of awards and nominations. We saw potential in the idea and decided to pursue it as a full-fledged game; in the August of 2014, pre-production of Stifled began.

With the microphone input of Lurking proving a success, we wanted to take Stifled to the next level with VR. And that’s exactly what we did when we heard the announcement of PS VR. We reached out to and obtained PS VR development kits from the Sony Interactive Entertainment team in Singapore.

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发表于 2017-10-19 07:14 AM |只看该作者

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